劇情簡介： 某些事件本身是被遺忘的被摒除于版權(quán)之外更是某個地域里人共同創(chuàng)作和耳目相。這些無多大價值存附于地景、時空事件該有保留下來意義。試問當(dāng)發(fā)生件的地景逐漸蛻變，事件本身是否行消亡？作為個體，或許可以紀(jì)錄下些么。 Some occurrences themselves are forgotten and being got rid of any copyrights. What’s more these occurrences were created and shared by people in a certain place. Although these occurrences are worthless, they are still meaningful for reservation. When the places that something occurred have changed gradually, will occurrences themselves die out soon? As an individual, I may record something. 導(dǎo)演闡述： 10年前迷上電影的時候，我構(gòu)思了《人》的雛形無人?未知。直至2015年，《拐人》得以面。時隔3年再創(chuàng)作《拐人2：公有領(lǐng)域》。我希望為《拐人補遺之余，進一步入探討私人與公共創(chuàng)作與共享、事件地景之間的關(guān)系。也是我對地緣的一映像層面的實驗和檔。 When I became interested in movie 10 years ago, I thought up the idea of Unmanned / Unknown—the prototype of Abduction. Until 2015, Abduction has been created. After 3 years, I am eager to create Abduction 2: Public Domain. During the creation, I want to make an addendum for Abduction. At the same time, I want to explore deeper the relationships between privacy/public, creation/sharing and occurrences/landscapes. Also that’s a visual experiment and archive of my research about GEO.